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The Social History of Smoking

George Latimer Apperson

Chapter 3:

Some of the apothecaries whose shops were in most repute for the quality of the tobacco kept, took pupils and taught them the "slights," as tricks with the pipe were called. These included exhaling the smoke in little globes, rings and so forth. The invaluable Ben Jonson, in the preliminary account of the characters in his "Every Man out of his Humour," 1600, describes one Sogliardo as "an essential clown ... yet so enamoured of the name of a gentleman that he will have it though he buys it. He comes up every term to learn to take tobacco and see new motions." Sogliardo was accustomed to hire a private room to practise in. The fashionable way was to expel the smoke through the nose. In a play by Field of 1618, a foolish nobleman is asked by some boon companions in a tavern: "Will your lordship take any tobacco?" when another sneers, "'Sheart! he cannot put it through his nose!" His lordship was apparently not well versed in the "slights."

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The Social History of Smoking

George Latimer Apperson

Chapter 9:

Byron is reputed to have been another cigar-smoker. His apostrophe to tobacco in "The Island" (1823), a poem founded in part on the history of the Mutiny of the Bounty, is familiar. The lines are, indeed, almost the only familiar passage in that poem:

Sublime tobocco!
which, from east to west,
Cheers the tar's labours or the Turkman's rest;
Which on the Moslem's ottoman divides
His hours, and rivals opium and his brides;
Magnificent in Stamboul, but less grand,
Though not less loved, in Wapping or the Strand:
Divine in hookas, glorious in a pipe,
When tipp'd with amber, mellow, rich, and ripe;
Like other charmers, wooing the caress,
More dazzlingly when daring in full dress;
Yet thy true lovers more admire by far
Thy naked beauties—Give me a cigar!

How far these lines really represent the poet's own sentiments, and whether he habitually smoked either cigar or pipe, is another matter.

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